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Wurzels
Sessions
Adge Cutler
& The Wurzels Recording Sessions
This
page provides sketchy details of recording sessions of Adge Cutler
& The Wurzels. We intend to add details of The Wurzels'
recording sessions if we can find out any. If you can help, please
let us know.
Most
of Adge Cutler & The Wurzels' material was recorded in front
of a live audience, to give the appropriate cider-soaked atmosphere.
The early records were produced by Bob Barratt of EMI,
and some of the early material, including the highly influential
first album recorded in 1966 and the follow-up 1967 album, was engineered
by the up and coming young engineer at EMI's Abbey Road studios,
Geoff Emerick.
As
an interesting aside for trivia buffs, Geoff's work on the first
Adge Cutler & The Wurzels album apparently made such an impression
on The Beatles and their producer George Martin that
they approached him early in 1967 and asked if he would engineer
the recording for the Magical Mystery Tour, booking
a session for May 3rd.
Passion
For Scrumpy
Geoff
was initially keen to work with The
Beatles. However, when he found the date
clashed with the recording of Adge Cutler & The Wurzels' second
album in the Royal Oak at Nailsea, the lure of the free scrumpy
on offer proved irresistible and he politely turned the Beatles
down.
Disappointed,
but realising there was no way they could persuade Geoff to miss
out on such an important event in the history of recording, The
Beatles reluctantly
had to find a substitute engineer for their own session, and before
Geoff went down to Somerset, they made him promise to engineer their
next album, which turned out to be equally influential in its own
field of music: Sgt Pepper's Lonely Hearts Club Band.
Cyderdelia
and the Summer of Scrumpy
Geoff
has been unreliably reported as saying that making sense of the
strange drug-influenced sounds emanating from the Abbey Road studios
would have been virtually impossible had he not previously worked
with The Wurzels - after the experience of deciphering the baffling
cyderdelic (scrumpy-induced) flights of fancy from Adge and the
boys, such as Champion Dung Spreader, Thee
Cassn't Kill Cooch and The Shepton Mallet Matador,
it was apparently a comparatively simple matter to interpret the
likes of Lucy In The Sky With Diamonds, Being
For The Benefit Of Mr Kite and A Day In The Life.
The
primary recording sessions are listed below. I assume it's possible
that some material was recorded at these sessions which was never
released - if anyone has any info on this, please let
us know.

Date
|
Session
Information |
|
2 November 1966 |
Royal
Oak, Nailsea, North Somerset
All
the songs on the first album Adge
Cutler & The Wurzels were recorded at this
session, including the legendary Drink Up Thy Zider
and Twice Daily, issued on the first single.
The Royal Oak was an appropriate venue, being in Adge's home
town of Nailsea in North Somerset. The session was produced
by Bob Barratt (who also announced Adge & The
Wurzels at the start of the record) and engineered by
Geoff Emerick. The session was recorded using Abbey
Road Studios' mobile unit, and the recording gear had
to be set up in the Royal Oak's cellar, surrounded by crates
of beer and barrels of scrumpy - much to the inconvenience
of the engineers (according to them anyhow)...
The pub is still there (well it was when I last looked), although
sadly I could find no obvious trace of its illustrious place
in Wurzel (and indeed scrumpy drinking) history inside. Maybe
some of you Nailseans could get that sorted out...
|
|
3 May 1967 |
Royal
Oak, Nailsea, North Somerset
The session which produced Adge Cutler's second Family
Album, issued during the so-called Summer of Scrumpy
in 1967. Again recorded live at Adge's local pub. The audience
were treated to cider 'on the house' - this must have helped
with the atmosphere! Again produced by Bob Barratt
and engineered by Geoff Emerick.
The
pub could only hold around 100 people, but around 500 turned
up hoping to get in to see the band (and maybe get some of
that free scrumpy?!). There was a riot outside the pub and
a brick was thrown through the window! This was the incident
mentioned by Adge on the Cutler of the West
album.
|
|
1968 (exact date unknown) |
Webbington
Country Club, Loxton, Somerset
This
session provided the material for the Cutler
of the West album (later reissued as Vintage
Zider) and one of the few album released on CD.
By this time Adge's popularity was such that a bigger venue
than the Royal Oak was needed. The band was preceded on the
record by an announcement from the Webbington compere Mike
Reasons and a play-on Drink Up Thy Zider
from the house band.
I
believe that the song Faggots Is The Stuff
was recorded at this session - can anyone confirm this or
shed any light on the recording details? It's possible that
Don't Tell I, Tell 'Ee was also recorded here.
Again, any details would be welcome; please let
us know!
|
|
1969 (exact date unknown) |
Webbington
Country Club, Loxton, Somerset
Much
confusion surrounds the recording of this album. Although
the front cover of the Carry
On Cutler! album says that the album was recorded
at the Webbington, this is only partly true, as confirmed
on the back cover. Although some of the material for the Carry
On Cutler! album was recorded at this session,
the rest was recorded at the White Buck Inn in Hampshire.
The
record cover and label don't make it clear which songs were
recorded at which session - does anyone have details? It's
also complicated by the fact that the label lists two tracks
on this 1969 album as having been recorded in 1967 (All
Over Mendip) and 1968 (Aloha Severn Beach).
These two songs were issued on singles in 1967 and 1968 respectively,
which ties in with the dates on the label. However, the 1967
single version of All Over Mendip is clearly
different from the album version, so I don't know if the latter
was actually recorded in 1967 or not. If the dates are correct,
this would mean that the members of the Wurzels would have
been different on those two tracks from the 1969 line-up,
although the cover doesn't mention this. I can only assume
there was not enough material from the Webbington session
to fill the album, so these two earlier tracks were added.
If anyone knows anything more about this, or can clear up
any of this confusion, we would be interested to know, please
let us know
A
further addition to the confusion (or could it be a clue?)
is the fact that two different drummers were used to supplement
The Wurzels on the album. The cover states that Douggie
Wright played drums on Down On the Farm,
The Chewton Mendip Love-In, Saturday
Night At The Crown, Ferry to Glastonbury
and Willie The Shake; and that Eddie Clayton
played drums on the rest (which would include the two possibly
earlier tracks mentioned above). So maybe one drummer played
at each of the two sessions - but which played on which? Maybe
we shall never know... unless anyone out there can remember
the sessions or was actually there?
The producer was again Bob Barratt and the engineer
was Peter Bown. The announcer on the record was Tony
Harding.
|
|
1969 (exact date unknown) |
White
Buck Inn, Burley, New Forest, Hampshire
The rest of the material used on the Carry
On Cutler! album was recorded at this session. See
above for further details and confusion. Presumably more material
could have been recorded at this session - does anyone know
if it was, or if any of it survives? |
|
1976 (exact date unknown) |
Yew
Tree Country Club in Langford
This was apparently the venue for the recording the 1976 live
album The
Combine Harvester. I have no other information
about the venue, or indeed the location (probably the village
on the outskirts of Taunton) |
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